She, meanwhile, has one existential crisis after another. Riley repeatedly tries to find a way to make Jenai believe that they'll be just fine without other human contact. Much of Bokeh consists of the characters soul-searching. That feeds directly into another insurmountable problem. Being told that Riley is a photographer and Jenai is his favorite subject isn't enough.
#Bokeh film ploting movie
It is difficult, if not impossible, to relate to movie characters if you don't know a few things about them before the plot fully kicks in. Without the basic introductory material, the couple proves to be generally flat and uninteresting. We learn nothing about Jenai and Riley before they find themselves alone. One of the major flaws with Bokeh is that it starts with the second act. Faced with the inexplicable possibility that they are the last two people on earth, the confused lovers wander the country, lamenting their fate and occasionally discussing how they will survive without anyone else around. Streets are empty, buildings are vacant, and no one back home answers their phones. One morning, they wake up to discover that everyone else has vanished. Maika Monroe ( It Follows) and Matt O'Leary play Jenai and Riley, a young American couple vacationing in Iceland. The film simply isn't as deep as it thinks it is. The makers obviously have high ambitions, but the way they've executed them is not likely to ring a bell with many viewers. Of course, very few people will know that, which proves to be an apt metaphor for the entire movie. The unusual title refers to the out-of-focus portion of a photograph. Few things are as grating as movies that mistakenly think they're profound.
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